Seeking Galleries, Artist Residences & Writing Grants - RECORDED

Seeking Galleries, Artist Residences & Writing Grants - RECORDED

Online Pre-Recorded | Available

All Levels
1/1/2026-12/31/2026
$50.00

Seeking Galleries, Artist Residences & Writing Grants - RECORDED

Online Pre-Recorded | Available

Seeking Galleries, Artist Residences & Writing Grants - RECORDED Webinars 3.5 hours total

Applying to Artist-in-Residence Programs + Grant Writing Crash Course - 1.75 Hours

Workshop Description

This two-hour workshop introduces students to the world of artist-in-residence (AIR) programs—organizations that offer artists the time, space, and inspiration to create new work. The session reviews the application process and shares tools to identify high-quality, meaningful programs tailored to your career stage.

Attendees will also gain insight into writing effective proposals and finding funding opportunities. The workshop includes personal anecdotes, application examples, and a curated list of resources and programs.


Learning Objectives

Participants will:

  • Understand the structure and purpose of AIR programs.

  • Learn how to find legitimate and enriching opportunities.

  • Identify which programs are best suited to their career stage.

  • Differentiate between artist statements and grant proposals.

  • Gain tools and strategies for writing strong applications.

  • Leave with a list of recommended resources and residency databases.

Seeking Gallery Representation - 1.75 Hours

Workshop Description

This workshop demystifies the professional gallery world and equips artists with the knowledge to pursue representation with confidence. Over two hours, participants explore the differences between gallery types, levels of artist involvement, and the benefits and expectations of formal representation.

Topics include pricing work for gallery sales, contract considerations, representation etiquette, and navigating risks such as exclusivity and creative compromise. The workshop also offers insider tips on framing, print sales, and what galleries do—and don’t do—for their artists.

Artists will leave with a comprehensive understanding of how to build gallery relationships that support and advance their careers. 

Learning Objectives

Participants will:

  • Learn the pros and cons of vanity galleries, co-ops, and traditional galleries.

  • Understand the stages of gallery involvement: group shows, affiliation, and representation.

  • Know what to expect from galleries and what will still be the artist’s responsibility.

  • Learn best practices for pricing work with commission and discount structures.

  • Understand contract obligations, exclusivity clauses, and inventory management.

  • Gain confidence in professional etiquette and artist-gallery communication.

Materials Provided

  • PowerPoint slides (available post-workshop as PDF)

  • Residency resource handout with links and recommendations

  • Sample proposals (successful and unsuccessful)

 





Instructor: Missy Dunaway

Missy Dunaway is an interdisciplinary artist based in Portland, Maine. Her work blends painting with research, exploring intersections of art, literature, history, and nature. Her projects have explored Anatolian textiles, classical painting techniques, ornithology, and Shakespearean literature.

She earned a BFA with a concentration in Painting and Material & Visual Culture from Carnegie Mellon University in 2010. Soon after, she moved to Istanbul on a Fulbright Fellowship to study the earliest Anatolian textiles, beginning several years of international travel through artist residencies. Her research culminated in a collection of paintings that were exhibited in Istanbul, Berlin, and the United States. Her sketchbooks from this period were later published in 2021 as The Traveling Artist: A Visual Journal.

Missy is also a recipient of a Folger Institute Fellowship, a scholarship to the Academy of Realist Art Boston, and she was selected as the inaugural Four Seasons Envoy. Her illustrations appear on book covers for authors including Ruskin Bond and Raja Rao, and she penned 21 articles for the Folger Shakespeare Library’s blog, Shakespeare & Beyond.


What to Expect:
Drawing Demos, 18 hours recorded from the Atelier Crash Course- Bargue webinar offering in-depth insights into the core fundamentals of what is taught in our atelier.