4 Mondays, 10:00 am - 12:00 pm
Composers George Gershwin, Aaron Copland, and Leonard Bernstein were instrumental in creating a distinctly American sound and style. Their task and challenge: to write music that was accessible to American audiences in sound that incorporated African-American jazz and blues as well as classical works and popular song. Music critic Alex Ross has described this new, uniquely American sound as “black-white classical-popular fusion”. We'll examine this kind of fusion in Gershwin's work Rhapsody in Blue and Bernstein's jazz settings of songs from Wonderful Town.
Gershwin's Porgy and Bess paved the way for a new kind of opera American folk opera. Bernstein brought us 'musical-opera' in the form of West Side Story, first on stage, later on the big screen. Copland offered up his own musical sound in works that expressed the vast American landscape, captured in ballet music like Appalachian Spring and Rodeo and in the wonderfully democratizing orchestral work Fanfare for the Common Man, which we'll hear in two different settings.
No musical training or knowledge is required to enjoy our four weeks together as we listen to the works of these three artists and investigate elements in each of their lives—aesthetic, political, and personal—that make it uniquely American.