Beginning Acrylics (Wed)

Beginning Acrylics (Wed)

PD-Class | FULL

600 St. Andrews Blvd Winter Park, FL 32792 United States
1B
Beginner
3/25/2026-5/13/2026
10:00 AM-12:00 PM EDT on Wed
$280.00
Member Discount Available

Beginning Acrylics (Wed)

PD-Class | FULL

Explore the methods, materials, and tools involved with acrylic painting. Learn techniques used to produce a finished acrylic painting, from rough sketch to final finishing touches, including the use of various brushes, palette knives, canvases, clay boards and final coating to protect the finished image.

  • Skill level: Beginner
  • Supplies will be discussed at the first class. Students may refer to the list below, but do not buy any supplies until the instructor has reviewed the list in class.


  • Paints
  • Basic colors
  • • Napthol Crimson or Cadmium Red Medium*
  • • Cadmium Yellow*
  • • Either Primary Blue or Thalo Blue
  • • Mars Black
  • • Titanium White
  • *Cadmium-based inks are toxic
  • Helpful colors
  • • Burnt Umber
  • • Burnt Sienna
  • • Yellow Ochre
  • • Hookers Green
  • • Raw Sienna
  • Other
  • • Airbrush medium for making tonal grounds
  • • Painting Surfaces – Its helpful to start relatively small using standard sizes (8” X 10”, 11” X 14”, 16” X 20”) which makes readily-available frames easy to find and use.
  • • Stretched canvas – double or triple primed
  • • Standard gallery wrapped – no framing necessary
  • o Clayboard*
  • o Gessoed tempered Masonite*
  • o Canvas tablet
  • Paper
  • • *Standard, ready-made frames can have a shallow depth (rabbet) so thinner painting surfaces are easily accommodated by these frames.
  • Brushes (both flat and round of each)
  • • Stiff bristle – numbers vary according to the manufacturer
  • • Soft bristle
  • Palettes
  • • Wood or Glass (glass preferred)
  • • Disposable (tablet)
  • • Kitchen storage container with tight-fitting lid lined in the bottom with foam and
  • • Parchment paper placed on top of the foam
  • Tools
  • • Palette knife – metal blades: small, medium and large
  • Other
  • • Gesso and fine-grit sandpaper or hand-held sanding block
  • • Extender – for lengthening drying time
  • • Watercolor pencils
  • • 2 Plastic water containers (clean water and washing brushes)
  • • Rags or paper towels (paper towels preferred)
  • • White or graphite transfer paper
  • • Varnishes for finished paintings
  • • Masking tape
  • • Small knife or razor blade
  • • Eye dropper
  • • Water spray bottle with fine spray
  • • Apron – only if you think you’ll need it
  • • Hair dryer
  • • Easel
  • o Table-top model for smaller to medium paintings
  • o Floor model for medium to large paintings
Hunter, David
David Hunter

David Hunter

Simplify nature’s complexity into precise and visually concise shapes. Develop a unique interpretation of landscapes emphasizing their visual language. Master the concepts of subject selection, limited values, movement, and color strategy. Prereq: PD120, PD157, or similar exp.
A native of Central Florida and faculty member of Crealdé Art School, David Hunter is a printmaker and acrylic painter. He is well known for his sense of humor and patience with teaching art to students, adult and children alike. David teaches acrylic painting classes weekly each session, coaching students individually as they paint subject matters and techniques of their own choices. He conducts weekend printmaking workshops throughout the Southeast, covering intaglio (etchings, drypoints, etc.), relief and monotype techniques. For his own work, David works on line etchings which, due to their tedious and time-consuming nature, are limited in size. To balance the tedium of the line etchings, David paints large acrylic paintings, many of which are based on wildlife, woods, and marsh scenes typically found in Florida. Despite inheriting his father’s talent for artwork at an early age, he earned a B.S. and M.S. in zoology at the University of South Florida in Tampa, using his artistic talent to illustrate his master’s thesis with pen-and-ink drawings. After working as a biology research associate at the University of Central Florida, he taught 7th-grade life science and 8th-grade physical science for 5 years, returning to art in his spare time. In 1977 he participated in his first art show, took a year’s leave of absence starting in the summer of 1978, and continued on to become a full-time artist. Hunter was instrumental in forming the Florida Printmakers Society in 1986 becoming its first president. He’s also a long-time member of the Miniature Art Society of Florida, the Miniature Painters, Sculptors and Gravers Society of Washington, D.C., a signature member of the Miniature Artists of America and, more recently, the Central Florida Printmakers. David has participated in and consistently draws top awards in art festivals in Florida and competitions throughout the U.S.